| Hooked: A Game For Discovering What Makes Music Catchy. | 4 | 0.49 | 2013 |
| Designing Games With A Purpose For Data Collection In Music Research. Emotify And Hooked: Two Case Studies | 3 | 0.47 | 2013 |
| Cognition and the Evolution of Music: Pitfalls and Prospects. | 2 | 0.44 | 2012 |
| Model cortical responses for the detection of perceptual onsets and beat tracking in singing | 4 | 0.56 | 2009 |
| The Role Of Ict In Music Research: A Bridge Too Far? | 0 | 0.34 | 2007 |
| Evaluating and Extending Computational Models of Rhythmic Syncopation in Music | 6 | 0.82 | 2006 |
| TIMING IS TEMPO-SPECIFIC | 2 | 0.45 | 2005 |
| The Final Ritard: On Music, Motion, and Kinematic Models | 1 | 0.37 | 2003 |
| Refined Knowledge-Based ƒ0 Tracking: Comparing Three Frequency Extraction Methods. | 0 | 0.34 | 2001 |
| From Time to Time: The Representation of Timing and Tempo | 18 | 2.02 | 2001 |
| Spectral analysis of timing profiles of piano performances | 1 | 0.41 | 2001 |
| Make Me a Match: An Evaluation of Different Approaches to Score Performance Matching | 11 | 1.82 | 2000 |
| On tempo tracking: Tempogram Representation and Kalman filtering | 69 | 7.11 | 2000 |
| Towards Algorithmic Descriptions of Continuous Modulations of Musical Parameters. | 1 | 0.40 | 1995 |
| Rulebased models of initial beat induction and an analysis of their behavior. | 1 | 0.37 | 1994 |
| Foot-tapping: a brief intoduction to beat induction. | 3 | 1.37 | 1994 |
| Advanced issues in beat induction modeling: syncopation, tempo and timing | 2 | 1.93 | 1994 |
| On continuous musical control of discrete musical objects | 1 | 0.52 | 1993 |
| A microworld approach to the formalization of musical knowledge | 1 | 0.38 | 1993 |
| Expresso, a strong and small editor for expression | 3 | 1.01 | 1992 |
| Generalized Time Functions | 0 | 0.34 | 1991 |
| Tempo curves considered harmful | 14 | 1.61 | 1991 |
| A Connectionist Quantizer | 1 | 0.47 | 1989 |
