A Melody-Unsupervision Model for Singing Voice Synthesis | 0 | 0.34 | 2022 |
Deformable CNN and Imbalance-Aware Feature Learning for Singing Technique Classification | 0 | 0.34 | 2022 |
Deep Learning and Knowledge Integration for Music Audio Analysis (Dagstuhl Seminar 22082). | 0 | 0.34 | 2022 |
EMOPIA - A Multi-Modal Pop Piano Dataset For Emotion Recognition and Emotion-based Music Generation. | 0 | 0.34 | 2021 |
Learning a cross-domain embedding space of vocal and mixed audio with a structure-preserving triplet loss. | 0 | 0.34 | 2021 |
A Computational Analysis of Real-World DJ Mixes using Mix-To-Track Subsequence Alignment | 0 | 0.34 | 2020 |
Novelty and influence of creative works, and quantifying patterns of advances based on probabilistic references networks. | 0 | 0.34 | 2020 |
Metric learning vs classification for disentangled music representation learning. | 0 | 0.34 | 2020 |
Semi-supervised learning using teacher-student models for vocal melody extraction. | 0 | 0.34 | 2020 |
Polyphonic Piano Transcription Using Autoregressive Multi-State Note Model. | 0 | 0.34 | 2020 |
Deep Learning for Audio-Based Music Classification and Tagging: Teaching Computers to Distinguish Rock from Bach. | 3 | 0.44 | 2019 |
Learning a Joint Embedding Space of Monophonic and Mixed Music Signals for Singing Voice. | 0 | 0.34 | 2019 |
Quantifying Novelty and Influence, and the Patterns of Paradigm Shifts. | 0 | 0.34 | 2019 |
Zero-shot Learning for Audio-based Music Classification and Tagging. | 0 | 0.34 | 2019 |
VirtuosoNet - A Hierarchical RNN-based System for Modeling Expressive Piano Performance. | 0 | 0.34 | 2019 |
A Cross-Scape Plot Representation for Visualizing Symbolic Melodic Similarity. | 0 | 0.34 | 2019 |
Comparison and Analysis of SampleCNN Architectures for Audio Classification | 2 | 0.40 | 2019 |
Introduction to the Issue on Data Science: Machine Learning for Audio Signal Processing. | 0 | 0.34 | 2019 |
Representation Learning of Music Using Artist, Album, and Track Information. | 0 | 0.34 | 2019 |
A Timbre-based Approach to Estimate Key Velocity from Polyphonic Piano Recordings. | 0 | 0.34 | 2018 |
Revisiting Singing Voice Detection: a Quantitative Review and the Future Outlook. | 1 | 0.37 | 2018 |
Representation Learning of Music Using Artist Labels. | 2 | 0.39 | 2018 |
A Hybrid of Deep Audio Feature and i-vector for Artist Recognition. | 0 | 0.34 | 2018 |
Deep Content-User Embedding Model for Music Recommendation. | 1 | 0.35 | 2018 |
Multi-Level and Multi-Scale Feature Aggregation Using Sample-level Deep Convolutional Neural Networks for Music Classification. | 0 | 0.34 | 2017 |
Use the Force: Incorporating Touch Force Sensors into Mobile Music Interaction. | 0 | 0.34 | 2017 |
Note Intensity Estimation Of Piano Recordings By Score-Informed Nmf | 0 | 0.34 | 2017 |
ForceClicks: Enabling Efficient Button Interaction with Single Finger Touch. | 1 | 0.40 | 2017 |
Combining Multi-Scale Features Using Sample-Level Deep Convolutional Neural Networks for Weakly Supervised Sound Event Detection. | 0 | 0.34 | 2017 |
Raw Waveform-based Audio Classification Using Sample-level CNN Architectures. | 2 | 0.36 | 2017 |
Multi-Level and Multi-Scale Feature Aggregation Using Pre-trained Convolutional Neural Networks for Music Auto-tagging. | 16 | 0.83 | 2017 |
Sample-level Deep Convolutional Neural Networks for Music Auto-tagging Using Raw Waveforms. | 14 | 0.72 | 2017 |
Audio-to-score alignment of piano music using RNN-based automatic music transcription. | 0 | 0.34 | 2017 |
Melody Extraction on Vocal Segments Using Multi-Column Deep Neural Networks. | 4 | 0.39 | 2016 |
Augmenting Room Acoustics and System Interaction for Intentional Control of Audio Feedback. | 0 | 0.34 | 2015 |
A Deep Bag-of-Features Model for Music Auto-Tagging | 4 | 0.50 | 2015 |
Toward Certain Sonic Properties of an Audio Feedback System by Evolutionary Control of Second-Order Structures. | 1 | 0.48 | 2015 |
Acoustic scene classification using sparse feature learning and event-based pooling | 7 | 0.56 | 2013 |
Learning Sparse Feature Representations for Music Annotation and Retrieval. | 35 | 1.14 | 2012 |
Optimized Polynomial Spline Basis Function Design for Quasi-Bandlimited Classical Waveform Synthesis | 2 | 0.44 | 2012 |
Sound recognition in mixtures | 0 | 0.34 | 2012 |
A Classification-Based Polyphonic Piano Transcription Approach Using Learned Feature Representations. | 25 | 1.65 | 2011 |
Multimodal Deep Learning. | 128 | 5.78 | 2011 |
Efficient antialiasing oscillator algorithms using low-order fractional delay filters | 7 | 0.60 | 2010 |
Alias-Suppressed Oscillators Based on Differentiated Polynomial Waveforms | 6 | 0.54 | 2010 |