Cross-Cultural Comparisons of Affect and Electrodermal Measures While Listening to Music | 0 | 0.34 | 2019 |
Towards Defining A Quality-Metric For Affective Feedback In An Intelligent Environment | 0 | 0.34 | 2018 |
"We've Always Done it that Way, " An Exploration of Electrical and Computer Engineering Faculty Curricular Decisions. | 0 | 0.34 | 2018 |
Using threshold concepts to restructure an electrical and computer engineering curriculum: Troublesome knowledge in expected outcomes. | 0 | 0.34 | 2017 |
Affective feedback in a virtual reality based intelligent supermarket. | 1 | 0.35 | 2017 |
Affect-Aware Intelligent Environment Using Musical Cues as an Emotion Learning Framework | 1 | 0.37 | 2016 |
Mindful Technologies Research and Developments in Science and Art. | 0 | 0.34 | 2016 |
Fusality: an open framework for cross-platform mirror world installations | 2 | 0.47 | 2015 |
Towards incorporating affective feedback into context-aware intelligent environments | 3 | 0.46 | 2015 |
Exploring the causal relationships between musical features and physiological indicators of emotion | 2 | 0.66 | 2015 |
Emotion in motion: a reimagined framework for biomusical/emotional interaction. | 0 | 0.34 | 2015 |
Creating biosignal algorithms for musical applications from an extensive physiological database. | 1 | 0.48 | 2015 |
An integrated home-based self-management system to support the wellbeing of older adults. | 1 | 0.37 | 2014 |
Compositional and Performance Mapping in Computer Chamber Music: A Case Study | 0 | 0.34 | 2014 |
Lantern Field: Exploring Participatory Design of a Communal, Spatially Responsive Installation. | 1 | 0.41 | 2013 |
Form, function and performances in a musical instrument MAKErs camp | 6 | 0.58 | 2013 |
Emotion in Motion: A Study of Music and Affective Response. | 4 | 0.55 | 2012 |
Music for Sleeping & Waking Minds (paper submission). | 0 | 0.34 | 2012 |
YourWellness: designing an application to support positive emotional wellbeing in older adults | 2 | 0.39 | 2012 |
Looking for similarities in movement between and within homes using cluster analysis. | 2 | 0.39 | 2012 |
The Emotion in Motion Experiment: Using an Interactive Installation as a Means for Understanding Emotional Response to Music. | 3 | 0.64 | 2012 |
The measurement of performer and audience emotional state as a new means of computer music interaction: a performance case study. | 2 | 0.60 | 2011 |
Recognition Of Multivariate Temporal Musical Gestures Using N-Dimensional Dynamic Time Warping. | 24 | 1.54 | 2011 |
Requirements gathering for the delivery of healthcare data in aware homes. | 4 | 0.58 | 2011 |
Interpreting presence sensor data and looking for similarities between homes using cluster analysis | 3 | 0.67 | 2011 |
A Machine Learning Toolbox For Musician Computer Interaction. | 13 | 1.18 | 2011 |
Comparison of health measures to movement data in aware homes | 3 | 0.69 | 2011 |
MobileMuse: Integral Music Control Goes Mobile. | 4 | 0.44 | 2011 |
Contagion of Physiological Correlates of Emotion between Performer and Audience: An Exploratory Study | 1 | 0.45 | 2010 |
Synchronization of Multimodal Recordings for Musical Performance Research. | 2 | 0.50 | 2010 |
Biomuse Trio. | 0 | 0.34 | 2009 |
Pattern Recognition of Emotional States During Musical Performance from Physiological Signals. | 2 | 0.49 | 2009 |
The SARC EyesWeb Catalog: A Pattern Recognition Toolbox for Musician-Computer Interaction. | 0 | 0.34 | 2009 |
Measurement of motion and emotion during musical performance | 7 | 0.63 | 2009 |
The Process of Entrainment and its Application to Computer Music. | 0 | 0.34 | 2009 |
A Study of Two Thereminists: Towards Movement Informed Instrument Design. | 3 | 0.42 | 2008 |
Sensory Chairs: A System for Biosignal Research and Performance. | 3 | 0.61 | 2008 |
BioTools: A Biosignal Toolbox for Composers and Performers | 3 | 0.56 | 2007 |
Díamair: Composing for Choir and Integral Music Controller. | 5 | 0.74 | 2007 |
Biotools: Introducing a Hardware and Software Toolkit for Fast Implementation of Biosignals for Musical Applications. | 0 | 0.34 | 2007 |
Creating a network of Integral Music Controllers | 6 | 0.80 | 2006 |
The Integral Music Controller: Introducing a Direct Emotional Interface to Gestural Control of Sound Synthesis | 8 | 1.22 | 2005 |
Multimodal interaction in music using the Electromyogram and relative position sensing | 31 | 2.36 | 2002 |
Towards an EOG-based eye tracker for computer control | 9 | 2.13 | 1998 |