Nicolas d'Alessandro

Author Info

Name	Affiliation	Papers
NICOLAS D'ALESSANDRO	University of British Columbia, Vancouver, BC, Canada	21
Collaborators	Citations	PageRank
38	75	11.07
Referers	Referees	References
160	215	109

Search Limit

100215

Publications (21 rows)

Collaborators (38 rows)

Referers (100 rows)

Referees (100 rows)

Title	Citations	PageRank	Year
An HMM-based speech-smile synthesis system: An approach for amusement synthesis	5	0.64	2015
Designing speech and language interactions	2	0.38	2014
Towards a Dynamic Model of the Palm Mute Guitar Technique Based on Capturing Pressure Profiles Between the Guitar Strings.	0	0.34	2014
PENny: An Extremely Low-Cost Pressure-Sensitive Stylus for Existing Capacitive Touchscreens.	0	0.34	2013
MAGE 2.0: New Features and its Application in the Development of a Talking Guitar.	3	0.40	2013
MAGEFACE: Performative Conversion of Facial Characteristics into Speech Synthesis Parameters.	0	0.34	2013
A Comparative Study Of Pitch Extraction Algorithms On A Large Variety Of Singing Sounds	21	1.40	2013
MAGE -A Platform for Tangible Speech Synthesis.	5	0.58	2012
A Digital Mobile Choir: Joining Two Interfaces towards Composing and Performing Collaborative Mobile Music.	4	0.61	2012
Investigation of Gesture Controlled Articulatory Vocal Synthesizer using a Bio-Mechanical Mapping Layer.	0	0.34	2012
Ubiquitous voice synthesis: interactive manipulation of speech and singing on mobile distributed platforms	3	0.51	2011
Performance: what does a body know	0	0.34	2011
SQUEEZY: Extending a Multi-touch Screen with Force Sensing Objects for Controlling Articulatory Synthesis.	7	0.68	2011
ROOM#81 - An Architectural Instrument for Exploring Human Control of Primitive Vocal Cues.	0	0.34	2011
Advanced Techniques for Vertical Tablet Playing A Overview of Two Years of Practicing the HandSketch 1.x.	2	0.40	2009
AudioCycle: Browsing Musical Loop Libraries	0	0.34	2009
VOICE SOURCE PARAMETERS ESTIMATION BY FITTING THE GLOTTAL FORMANT AND THE INVERSE FILTERING OPEN PHASE	2	0.41	2008
Glottal Source Estimation Robustness - A Comparison of Sensitivity of Voice Source Estimation Techniques	1	0.35	2008
RAMCESS/handsketch: a multi-representation framework for realtime and expressive singing synthesis	2	0.41	2007
CAUSAL/ANTICAUSAL DECOMPOSITION FOR MIXED-PHASE DESCRIPTION OF BRASS AND BOWED STRING SOUNDS	2	0.41	2007
HandSketch Bi-Manual Controller Investigation on Expressive Control Issues of an Augmented Tablet.	16	1.53	2007