| Using Rhythm Network to Enhance Courses Engineering in E-Learning Environments. | 0 | 0.34 | 2020 |
| Towards the Integration of Agricultural Data from Heterogeneous Sources - Perspectives for the French Agricultural Context Using Semantic Technologies. | 0 | 0.34 | 2020 |
| Intelligent Transport System Based on Bluetooth. | 1 | 0.37 | 2019 |
| Efficient Event Dissemination Using Bluetooth Protocol. | 0 | 0.34 | 2019 |
| Music Information Retrieval Community In The Legal Debate Over Data Privacy | 0 | 0.34 | 2017 |
| Challenging Recommendation Engines Evaluation Metrics and Mitigating Bias Problem of Information Cascades and Confirmation Biases. | 0 | 0.34 | 2017 |
| BIG DATA and Data-Driven Intelligent Predictive Algorithms to support creativity in Industrial Engineering. | 4 | 0.43 | 2017 |
| Melody and Rhythm Through Network Visualization Techniques. | 0 | 0.34 | 2016 |
| Knowledge Acquisition at the Time of Big Data. | 0 | 0.34 | 2016 |
| An Experimentation Of Vanets For Traffic Management | 0 | 0.34 | 2016 |
| Building Time-Affordable Cultural Ontologies Using An Emic Approach | 0 | 0.34 | 2015 |
| Time-weighted Social Network: Predict when an item will meet a collector | 3 | 0.48 | 2014 |
| Towards Better Coordination of Rescue Teams in Crisis Situations: A Promising ACO Algorithm. | 0 | 0.34 | 2014 |
| How Should Digital Humanities Pioneers Manage Their Data Privacy Challenges? | 0 | 0.34 | 2014 |
| Music Information Retrieval as a Key Framework to Explore Legal Issues Linked to Personal Data Computation. | 0 | 0.34 | 2014 |
| Considering music production and culture management as an emerging digital ecosystem | 0 | 0.34 | 2013 |
| A New Methodology for Collecting and Exploiting Vast Amounts of Dynamic Data | 0 | 0.34 | 2012 |
| How To Understand Digital Studio Outputs: The Case Of Digital Music Production | 0 | 0.34 | 2012 |
| Interactions médiatisées sur scène. | 0 | 0.34 | 2010 |
| Considering Stage Direction as Building Informed Virtual Environments. | 0 | 0.34 | 2009 |
| Interagir avec un contenu opératique : le projet d'opéra virtuel interactif Virtualis | 0 | 0.34 | 2009 |
| Music-ripping: des pratiques qui provoquent la musicologie | 0 | 0.34 | 2009 |
| Rapid Software Prototyping Using Ajax and Google Map API | 2 | 0.78 | 2009 |
| Exploring Informed Virtual Sites Through Michel Foucault'S Heterotopias | 1 | 0.43 | 2009 |
| Similarité en intension vs en extension : à la croisée de l'informatique et du théâtre | 0 | 0.34 | 2009 |
| Hypercalculia for the mind emulation | 0 | 0.34 | 2009 |
| How Do Interactive Virtual Operas Shift Relationships between Music, Text and Image? | 0 | 0.34 | 2009 |
| ReCollection: a Disposal/Formal Requirement-Based Tool to Support Sustainable Collection Making. | 1 | 0.39 | 2008 |
| Digital Music Collections: a Place of Knowledge Emergence? | 0 | 0.34 | 2008 |
| Towards a Collection-Based Knowledge Representation: Application to Geo-political Risks and Crisis Management | 3 | 0.50 | 2008 |
| Taking Lessons from Cognitive Psychologists to Design our Content Browsing Tools? | 0 | 0.34 | 2007 |
| Comment, sans nuire aux informaticiens, dépasser l'artifice des Connaissances ? Documents numériques, Connaissances et Collections | 0 | 0.34 | 2006 |
| Collecting or classifying? | 1 | 0.37 | 2005 |
| Similarité en intension versus similarité en extension. A la croisée de l'informatique et du thzâtre | 0 | 0.34 | 2005 |
| Reconcile art and culture on the web | 0 | 0.34 | 2004 |
| New tools and practices for electronic music distribution | 0 | 0.34 | 2003 |
| Knowledge acquisition or manifestation of the thought? | 0 | 0.34 | 2003 |
| Connaissances musicales et affinités électives - Acquérir les premières pour actualiser les secondes | 0 | 0.34 | 2002 |
| Knowledge Discovery as Applied to Music: Will Music Web Retrieval Revolutionize Musicology? | 0 | 0.34 | 2002 |
| Towards Interactive Operas: the Virtualis Project | 0 | 0.34 | 2001 |
| Creating "Hypermusic Spaces | 0 | 0.34 | 2000 |
| Composing interactive virtual operas | 0 | 0.34 | 1999 |
| Towards Digital "Musical Actions". | 0 | 0.34 | 1999 |
| Modelling Co-Operation in the Design of Knowledge Production Systems: The MadeIn-Coop Method An example in the field of C3I systems | 1 | 0.41 | 1996 |
| Solving Temporal Constraints Satisfaction Problems with an Object-Oriented Model | 1 | 0.44 | 1992 |
| One Example of How Artificial Intelligence Can Be Useful in Music Fields. | 0 | 0.34 | 1990 |
