| o.OM: structured-functional communication between computer music systems using OSC and Odot. | 0 | 0.34 | 2016 |
| An Accessible Platform for Exploring Haptic Interactions with Co-located Capacitive and Piezoresistive Sensors | 2 | 0.36 | 2015 |
| o.io: a Unified Communications Framework for Music, Intermedia and Cloud Interaction | 0 | 0.34 | 2014 |
| Towards a Dynamic Model of the Palm Mute Guitar Technique Based on Capturing Pressure Profiles Between the Guitar Strings. | 0 | 0.34 | 2014 |
| "Old" is the New "New": a Fingerboard Case Study in Recrudescence as a NIME Development Strategy. | 2 | 0.44 | 2013 |
| Colocated surface sound interaction | 3 | 0.70 | 2013 |
| Sound design as human matter interaction | 4 | 0.54 | 2013 |
| Flexible surfaces for interactive audio | 3 | 0.98 | 2012 |
| Robust and Reliable Fabric, Piezoresistive Multitouch Sensing Surfaces for Musical Controllers. | 7 | 0.90 | 2011 |
| Dynamic, Instance-based, object-oriented programming in Max/MSP using open sound control message delegation. | 3 | 0.69 | 2011 |
| Composability for Musical Gesture Signal Processing using new OSC-based Object and Functional Programming Extensions to Max/MSP. | 4 | 0.59 | 2011 |
| Support Vector Machine Learning for Gesture Signal Estimation with a Piezo-Resistive Fabric Touch Surface. | 6 | 0.59 | 2010 |
| ADVANCES IN THE PARALLELIZATION OF MUSIC AND AUDIO APPLICATIONS | 5 | 0.68 | 2010 |
| Novel and Forgotten Current-steering Techniques for Resistive Multitouch, Duotouch, and Polytouch Position Sensing with Pressure. | 7 | 0.69 | 2009 |
| Features and Future of Open Sound Control version 1.1 for NIME. | 15 | 1.59 | 2009 |
| A Low-level Embedded Service Architecture for Rapid DIY Design of Real-time Musical Instruments. | 2 | 0.49 | 2009 |
| The Tactus: a Tangible , Rhythmic Grid Interface Using Found-Objects. | 1 | 0.41 | 2009 |
| uOSC: The Open Sound Control Reference Platform for Embedded Devices. | 9 | 1.03 | 2008 |
| Implementation and Applications of Open sound control Timestamps. | 7 | 0.95 | 2008 |
| A Force Sensitive Multi-Touch Array Supporting Multiple 2-D Musical Control Structures. | 15 | 2.83 | 2007 |
| CNMAT INFORMATION INFRASTRUCTURE | 2 | 0.61 | 2007 |
| Comparing Musical Control Structures and Signal Processing Strategies for the Augmented Cello and Guitar. | 1 | 0.52 | 2006 |
| Augmenting the Cello | 5 | 0.99 | 2006 |
| Beyond 0-5V: expanding sensor integration architectures | 6 | 1.38 | 2006 |
| Control of VST Plug-INS using OSC. | 0 | 0.34 | 2005 |
| OpenSound Control: state of the art 2003 | 73 | 11.04 | 2003 |
| Managing Complexity with Explicit Mapping of Gestures to Sound Control with OSC | 11 | 3.15 | 2001 |
| An XML-based SDIF Stream Relationships Language | 4 | 1.08 | 2000 |
| Scalable Connectivity Processor for Computer Music Performance Systems | 16 | 4.55 | 2000 |
| A New Music Keyboard with Continuous Key-position Sensing and High-speed Communication | 1 | 0.98 | 2000 |
| An Open Architecture for Real-time Music Software | 11 | 2.25 | 2000 |
| Second-order Recursive Oscillators for Musical Additive Synthesis Applications on SIMD and VLIW Processors | 2 | 0.40 | 1999 |
| Musical Applications of New Filter Extensions to Max/MSP | 5 | 2.46 | 1999 |
| Volumetric Modeling of Acoustic Fields in CNMAT's Sound Spatialization Theatre | 6 | 0.75 | 1999 |
| Spectral Line Broadening with Transform Domain Additive Synthesis | 4 | 0.70 | 1999 |
| Exploiting Parallelism in Real-Time Music and Audio Applications | 2 | 1.00 | 1999 |
| Music Programming with the new Features of Standard C | 1 | 0.69 | 1998 |
| A 3D Graphical User Interface for Resonance Modeling | 5 | 1.31 | 1998 |
| New Applications of the Sound Description Interchange Format | 17 | 3.70 | 1998 |
| Volumetric modeling of acoustic fields in CNMAT's sound spatialization theatre | 6 | 0.69 | 1998 |
| OpenSoundEdit: An Interactive Visualization and Editing Framework for Timbral Resources | 6 | 2.69 | 1998 |
| Communication of Musical Gesture using the AES/EBU Digital Audio Standard | 5 | 1.88 | 1998 |
| Open SoundControl: A New Protocol for Communicating with Sound Synthesizers. | 3 | 0.81 | 1997 |
| The Rebirth of Computer Music by Analog Signal Processing. | 0 | 0.34 | 1994 |
| Real-Time Additive Synthesis Controlled by a Mixture of Neural-Networks and Direct Manipulation of Physical and Perceptual Attributes | 0 | 0.34 | 1994 |
| New Tools for Rapid Prototyping of Music Sound Synthesis Algorithms and Control Strategies. | 3 | 2.52 | 1992 |
| Max Objects For Media Integration | 0 | 0.34 | 1991 |
| Dsp Driver Software For Performance-Oriented Music Synthesis Systems | 0 | 0.34 | 1990 |
| New Media For Musicological Research And Education - The Country Blues In Hypermedia | 0 | 0.34 | 1989 |
