| Gamified music improvisation with BilliArT: a multimodal installation with balls. | 0 | 0.34 | 2017 |
| BilliARt - AR Carom Billiards - Exploration of an AR Framework. | 0 | 0.34 | 2014 |
| The "Conducting Master": An Interactive, Real-Time Gesture Monitoring System Based On Spatiotemporal Motion Templates | 3 | 0.36 | 2013 |
| Interacting with the Music Paint Machine: Relating the constructs of flow experience and presence | 5 | 0.57 | 2012 |
| The "one-person choir": A multidisciplinary approach to the development of an embodied human-computer interface | 5 | 0.74 | 2011 |
| Access to ethnic music: Advances and perspectives in content-based music information retrieval | 13 | 1.10 | 2010 |
| The Music Paint Machine A Multimodal Interactive Platform To Stimulate Musical Creativity In Instrumental Practice | 3 | 0.48 | 2010 |
| From expressive gesture to sound | 2 | 0.50 | 2010 |
| How potential users of music search and retrieval systems describe the semantic quality of music | 21 | 1.27 | 2008 |
| Statistical Analysis of Human Body Movement and Group Interactions in Response to Music. | 6 | 0.88 | 2008 |
| Using Fuzzy Logic to Handle the Users' Semantic Descriptions in a Music Retrieval System | 4 | 0.37 | 2007 |
| A User-Oriented Approach to Music Information Retrieval | 7 | 0.83 | 2006 |
| Collecting Ground Truth Annotations for Drum Detection in Polyphonic Music | 6 | 0.85 | 2005 |
| Methodological Considerations Concerning Manual Annotation Of Musical Audio In Function Of Algorithm Development | 9 | 1.52 | 2004 |
| The MAMI query-by-voice experiment: collecting and annotating vocal queries for music information retrieval | 10 | 0.88 | 2003 |
| An auditory model based transriber of vocal queries | 5 | 0.97 | 2003 |
| Correlation of Gestural Musical Audio Cues and Perceived Expressive Qualities | 10 | 1.75 | 2003 |
| An Auditory Model Based Transcriber of Singing Sequences | 21 | 2.75 | 2002 |
