| The Geneva Minimalistic Acoustic Parameter Set (GeMAPS) for Voice Research and Affective Computing | 134 | 3.80 | 2016 |
| Expression Control in Singing Voice Synthesis: Features, approaches, evaluation, and challenges | 5 | 0.62 | 2015 |
| Interdependencies among Voice Source Parameters in Emotional Speech | 18 | 0.96 | 2011 |
| Collision Threshold Pressure Before And After Vocal Loading | 0 | 0.34 | 2009 |
| Gunnar Fant 1920–2009 | 0 | 0.34 | 2009 |
| Singing voice and pregnancy - preliminary results from a case study. | 0 | 0.34 | 2009 |
| Formant-based synthesis of singing | 0 | 0.34 | 2007 |
| Subglottal pressure and NAQ variation in voice production of classically trained baritone singers | 0 | 0.34 | 2005 |
| Effect of vocal loudness variation on the voice source. | 0 | 0.34 | 2005 |
| Auditory and kinesthetic feedback in singing - significance and effects of training on pitch control. | 0 | 0.34 | 2003 |
| Generating Musical Performances with Director Musices | 15 | 2.88 | 2000 |
| Emotive transforms. | 1 | 1.47 | 2000 |
| APEX - an articulatory model for speech and singing. | 0 | 0.34 | 1999 |
| Music technology and audio processing: rall. or accel. into the new millennium? | 0 | 0.34 | 1999 |
| A New Digital System For Singing Synthesis Allowing Expressive Control | 1 | 0.40 | 1991 |
| A Lisp Environment for Creating and Applying Rules for Musical Performance. | 1 | 0.46 | 1986 |
| Synthesis of Selected VCV-Syllables in Singing. | 0 | 0.34 | 1984 |
| Performance Rules for Melodies. Origin, Functions, Purposes. | 4 | 0.78 | 1984 |
