Name
Abstract | ||
|---|---|---|
In collaboration with the Rapidform Print Research department at the Royal College of Art in London we developed a series of three-dimensional works. Some of the digital data was used for animations, some data was manipulated for printing and 3D sculptures. This research demonstrates an exciting moment of a new tangentiality of digital media. With this research a crossover zone was explored, where computer technology affects the material realm and where digitally driven processes interact with traditional ones describing a hybrid practice. 'InterFaced' and 'Thick Friendship' is a series of works that speak to evolutionary biology, emotions and hybridity. The work derives from a database of human faces and individual animal faces that where scanned with a 3D scanner to bring gestural and facial expressions of animals and humans to interact. The work suggests a discussion about feelings and consciousness that include animal and posthuman digital emotion. |
Year | DOI | Venue |
|---|---|---|
2013 | 10.1145/2466627.2481239 | Creativity & Cognition |
Keywords | DocType | Citations |
digital data,emotional creativity,computer technology,Royal College,three-dimensional work,posthuman digital emotion,Rapidform Print Research department,individual animal,processes interact,digital media,Thick Friendship | Conference | 0 |
PageRank | References | Authors |
0.34 | 0 | 1 |
Name | Order | Citations | PageRank |
|---|---|---|---|
| Barbara Rauch | 1 | 6 | 1.24 |