Name
Abstract | ||
|---|---|---|
Common room compensation algorithms are capable of dereverberating the listening room at some discrete points only. Outside these equalization points the sound quality is often even worse compared to the unequalized case. As wave field synthesis in principle allows to control the wave field within the listening area it can also be used to compensate for the reflections caused by the listening room in the complete listening area. We present a novel approach to listening room compensation which is based upon the theory of wave field synthesis and that results in a large compensated area. |
Year | DOI | Venue |
|---|---|---|
2003 | 10.1109/ICME.2003.1221020 | ICME |
Keywords | Field | DocType |
sound quality,common room compensation algorithm,room compensation,listening room compensation,architectural acoustics,complete listening area,sound reproduction,listening room,acoustic field,equalization point,discrete point,listening area,wave field,wave field synthesis,novel approach,cutoff frequency,acoustic waves,integral equations,loudspeakers | Equalization (audio),Computer science,Sound quality,Artificial intelligence,Architectural acoustics,Acoustic space,Computer vision,Wave field synthesis,Discrete points,Active listening,Speech recognition,Acoustics,Sound recording and reproduction | Conference |
Volume | ISBN | Citations |
1 | 0-7803-7965-9 | 1 |
PageRank | References | Authors |
0.41 | 1 | 3 |
Name | Order | Citations | PageRank |
|---|---|---|---|
| S. Spors | 1 | 89 | 9.54 |
| A. Kuntz | 2 | 17 | 2.57 |
| R. Rabenstein | 3 | 2 | 1.52 |