Title | ||
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Beyond being (t)here: the social and personal implications of making music at a distance |
Abstract | ||
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This literature review discusses the social phenomena that surround and affect the process of making music with a distant collaborator, and probes future directions for this area known as "computer supported collaborative music" [3]. Articles were sampled by searching the SCOPUS, EBSCOHOST, IIMP, ACM Digital Library and Google Scholar for abstracts that included the keywords "collaborative music" or "networked music". From this group of article the author highlights studies that have reported factors that altered the experience of collaborative composition. Preliminary results indicate that novices to music composition can use metaphors, (present in tools that do not replicate face to face interaction) to compose pieces with others without formal music training. |
Year | DOI | Venue |
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2011 | 10.1145/1940761.1940870 | iConference 2011 |
Keywords | Field | DocType |
collaborative composition,acm digital library,formal music training,preliminary result,networked music,literature review,distant collaborator,personal implication,collaborative music,google scholar,music composition,digital library | World Wide Web,Computer science,Musicology,Musical composition,Music and artificial intelligence,Scopus,Digital library,Multimedia,Computer supported collaborative work,Face-to-face interaction | Conference |
Citations | PageRank | References |
0 | 0.34 | 10 |
Authors | ||
2 |
Name | Order | Citations | PageRank |
---|---|---|---|
David James | 1 | 0 | 0.34 |
Jeffrey Stanton | 2 | 0 | 0.68 |