Abstract | ||
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In this paper the concept of meter is investigated, taking into account elements of perception and performance. Considerable problems with the traditional theories lead to a broadened definition of meter as the temporal framework of music. A descriptive method for meter based on this definition is proposed, it consists of three main levels: essential beat patterns, metric hierarchies (meter in strict sense) and metric microstructure. The emphasis is on the importance of periodic beats and microstructure and of their combination to reach a complete description of meter. Finally the significance of interpretational elements in the perception of meter is discussed, stressing the need to start from performed music in order to obtain a correct image of the meter in a particular piece. |
Year | DOI | Venue |
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1996 | 10.1007/BFb0034120 | Music, Gestalt, and Computing - Studies in Cognitive and Systematic Musicology |
Keywords | DocType | ISBN |
subsymbolic description | Conference | 3-540-63526-2 |
Citations | PageRank | References |
1 | 1.26 | 1 |
Authors | ||
1 |
Name | Order | Citations | PageRank |
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Dirk Moelants | 1 | 79 | 10.82 |