Abstract | ||
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This paper reviews the current state of loudspeaker-based spatial sound reproduction methods from technical perspective as well as perceptual perspective. A nomenclature is developed that allows for a strict separation between these two perspectives. The physical fundamentals, practical realization, and results from perceptual studies are discussed for a number of well-established and emerging reproduction techniques. Further, the paper outlines novel approaches to spatial sound evaluation in terms of perceived quality and provides a comparison of current approaches. |
Year | DOI | Venue |
---|---|---|
2013 | 10.1109/JPROC.2013.2264784 | Proceedings of the IEEE |
Keywords | Field | DocType |
sound-field synthesis,evaluation,wave field synthesis (wfs),sound-field synthesis (sfs),perception,perceived quality,spatial sound reproduction,loudspeakers,higher order ambisonics,loudspeaker,audio signal processing,panning | Sound quality,Speech recognition,Engineering,Audio signal processing,Loudspeaker,Perception,Sound recording and reproduction,Directional sound | Journal |
Volume | Issue | ISSN |
101 | 9 | 0018-9219 |
Citations | PageRank | References |
13 | 1.22 | 13 |
Authors | ||
6 |
Name | Order | Citations | PageRank |
---|---|---|---|
Sascha Spors | 1 | 108 | 19.70 |
Hagen Wierstorf | 2 | 25 | 3.53 |
Alexander Raake | 3 | 475 | 56.41 |
Frank Melchior | 4 | 22 | 4.18 |
Mattias Frank | 5 | 13 | 1.22 |
Franz Zotter | 6 | 17 | 3.47 |