Name
Title | ||
|---|---|---|
Archival Liveness: Designing With Collections Before And During Cataloguing And Digitization |
Abstract | ||
|---|---|---|
We present "archival liveness" as a concept in design and the Digital Humanities and describe its development within a Research Through Design process. Working with a newly acquired archive of contemporary poetry we produced designs that both manifested and "geared in to" [Durrant 2011] [Gurwitsch 1979] the temporal rhythms of the work and infrastructure of archiving. Drawing on user-centred work with participants, often poets themselves, we focused on marginalia as a material feature of the archive, developing a drawing machine and live Twitter bot. Our work addresses institutional concerns for outreach and engagement while also acknowledging and exploiting the inevitably incomplete or live character of archival collections. For designers working with digital archives, we demonstrate the pragmatic and critical value of liveness as a focus of the design process. |
Year | Venue | Field |
|---|---|---|
2015 | DIGITAL HUMANITIES QUARTERLY | Digitization,World Wide Web,Computer science,Multimedia,Liveness |
DocType | Volume | Issue |
Journal | 9 | 3 |
ISSN | Citations | PageRank |
1938-4122 | 0 | 0.34 |
References | Authors | |
0 | 7 | |
Name | Order | Citations | PageRank |
|---|---|---|---|
| Tom Schofield | 1 | 6 | 4.22 |
| David Kirk | 2 | 1949 | 167.38 |
| Telmo Amaral | 3 | 40 | 5.90 |
| Marian Dörk | 4 | 423 | 24.98 |
| Mitchell Whitelaw | 5 | 26 | 3.99 |
| Guy Schofield | 6 | 226 | 19.21 |
| Thomas Ploetz | 7 | 1020 | 74.42 |