Abstract | ||
---|---|---|
This paper outlines a demonstration of the reconstruction of the Poème électronique experience using virtual reality and binaural audio techniques. Here we discuss the genesis of the project, the search for original material, discovery of clues for the reconstruction of several sections of the artwork and the creation of the VR/binaural installation within the context of an interactive exhibition. |
Year | Venue | Keywords |
---|---|---|
2005 | ICMC | virtual reality |
Field | DocType | Citations |
Virtual reality,Computer graphics (images),Computer science,Exhibition,Human–computer interaction,Binaural recording,Poetry | Conference | 1 |
PageRank | References | Authors |
0.39 | 1 | 16 |
Name | Order | Citations | PageRank |
---|---|---|---|
Vincenzo Lombardo | 1 | 358 | 53.15 |
Andrea Arghinenti | 2 | 3 | 1.16 |
Fabrizio Nunnari | 3 | 88 | 14.54 |
Andrea Valle | 4 | 27 | 7.01 |
Heinrich H. Vogel | 5 | 1 | 0.39 |
John Fitch | 6 | 47 | 26.57 |
Richard W. Dobson | 7 | 21 | 5.61 |
Julian A. Padget | 8 | 984 | 117.49 |
Kees Tazelaar | 9 | 5 | 1.27 |
S Weinzierl | 10 | 33 | 9.25 |
Sebastian Benser | 11 | 1 | 0.39 |
Stefan Kersten | 12 | 28 | 5.29 |
Roman Starosolski | 13 | 39 | 7.30 |
Wojciech Borczyk | 14 | 1 | 0.73 |
Wojciech Pytlik | 15 | 1 | 0.39 |
Slawomir Niedbala | 16 | 4 | 0.79 |