Name
Abstract | ||
|---|---|---|
Advances in both hardware and software have significantly increased the number and types of tools available to the artists who create digital visual effects for film. In the same way musicians in the 1980's began to build and use electronic instruments with sounds based substantially on samples of actual instruments as opposed to synthesis techniques, vfx professionals now regularly choose between synthesis and sampling to create the fantastic digital images directors increasingly depend on to tell visually compelling stories. Like the musicians who have gone before them, effects artists find uses for both methods. |
Year | DOI | Venue |
|---|---|---|
2002 | 10.1145/2181216.2181234 | CHINZ |
Field | DocType | ISBN |
Electronic instruments,Computer science,Digital image,Human–computer interaction,Software,Sampling (statistics),Multimedia | Conference | 0-473-08500-3 |
Citations | PageRank | References |
0 | 0.34 | 0 |
Authors | ||
1 | ||
Name | Order | Citations | PageRank |
|---|---|---|---|
| Jon Labrie | 1 | 0 | 0.34 |