Abstract | ||
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Conceptual blending when used as a creative tool combines the features of two input spaces, generating new blended spaces that share the common structure of the inputs, as well as different combinations of their non-common parts. In the case of music, conceptual blending has been employed creatively, among others, in generating new cadences (pairs of chords that conclude musical phrases). Given a specific set of input cadences together with their blends, this paper addresses the following question: are some musical features of cadences more salient than others in defining perceived relations between input and blended cadences? To this end, behavioural data from a pairwise dissimilarity listening test using input and blended cadences as stimuli were collected, thus allowing the construction of a 'ground-truth' human-based perceptual space of cadences. Afterwards, the salience of each cadence feature was adjusted through the Differential Evolution (DE) algorithm, providing a system-perceived space of cadences that optimally matched the ground-truth space. Results in a specific example of cadence blending indicated that some features were distinguishably more salient than others. This pilot study was a first step towards building self-aware blending systems and revealed that the salience of features in conceptual blending is an essential part for producing perceptually relevant blends. |
Year | DOI | Venue |
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2016 | 10.1007/978-3-319-44944-9_49 | ARTIFICIAL INTELLIGENCE APPLICATIONS AND INNOVATIONS, AIAI 2016 |
Field | DocType | Volume |
Cadence,Pairwise comparison,Computer science,Speech recognition,Differential evolution,Conceptual blending,Salience (language),Chord (music),Perception,Salient | Conference | 475 |
ISSN | Citations | PageRank |
1868-4238 | 0 | 0.34 |
References | Authors | |
9 | 4 |
Name | Order | Citations | PageRank |
---|---|---|---|
Maximos A. Kaliakatsos-Papakostas | 1 | 67 | 13.26 |
Asterios I. Zacharakis | 2 | 1 | 1.09 |
Costas Tsougras | 3 | 11 | 1.81 |
Emilios Cambouropoulos | 4 | 200 | 25.12 |