Name
Title | ||
|---|---|---|
Digital and Handcrafting Processes Applied to Sound-Studies of Archaeological Bone Flutes. |
Abstract | ||
|---|---|---|
Bone flutes make use of a naturally hollow raw-material. As nature does not produce duplicates, each bone has its own inner cavity, and thus its own sound-potential. This morphological variation implies acoustical specificities, thus making it impossible to handcraft a true and exact sound-replica in another bone. This phenomenon has been observed in a handcrafting context and has led us to conduct two series of experiments (the first-one using handcrafting process, the second-one using 3D process) in order to investigate its exact influence on acoustics as well as on sound-interpretation based on replicas. The comparison of the results has shed light upon epistemological and methodological issues that have yet to be fully understood. |
Year | Venue | Field |
|---|---|---|
2016 | EuroMed | Digitization,Computer science,Flute,Sound studies,Music archaeology,Archaeology |
DocType | Citations | PageRank |
Conference | 0 | 0.34 |
References | Authors | |
3 | 8 | |
Name | Order | Citations | PageRank |
|---|---|---|---|
| Etienne Safa | 1 | 0 | 0.34 |
| Jean-Baptiste Barreau | 2 | 15 | 5.42 |
| Ronan Gaugne | 3 | 27 | 10.96 |
| Wandrille Duchemin | 4 | 3 | 1.44 |
| Jean-Daniel Talma | 5 | 0 | 0.34 |
| Bruno Arnaldi | 6 | 403 | 50.52 |
| Georges Dumont | 7 | 84 | 10.77 |
| Valérie Gouranton | 8 | 206 | 34.44 |