Title | ||
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Musical Agency And An Ecological Perspective Of Dmis: Collective Embodiment In Third Wave Hcl |
Abstract | ||
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Understanding how to take into account the breadth of considerations required by third-wave HCl remains a challenge when designing technologies. This requires an understanding of what embodiment means, and in particular, a collective notion of embodiment. Within the field of digital musical instrument (DMI) design, the need for a DMI to support musical agency has been recognised along with a view of the inter-relationship between musician, instrument, context and audience as an ecology has been developed. These considerations are consonant with an understanding of embodiment within this field. In this paper we describe a project in which a digital musical instrument was designed and developed adopting an approach informed by participatory design where musicians became integral to the design process. Through this process a practical understanding of the nature of musical agency and this ecology was developed. This understanding provides insights into the nature of embodiment and meaning making within a creative and performative practice, and is informative to the wider field of HCl as it seeks to understand considerations of embodiment. |
Year | DOI | Venue |
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2021 | 10.1007/s00779-020-01429-9 | PERSONAL AND UBIQUITOUS COMPUTING |
DocType | Volume | Issue |
Journal | 25 | 4 |
ISSN | Citations | PageRank |
1617-4909 | 0 | 0.34 |
References | Authors | |
0 | 4 |
Name | Order | Citations | PageRank |
---|---|---|---|
Peter Worthy | 1 | 13 | 5.27 |
Trevor Hunter | 2 | 0 | 1.69 |
Ben Matthews | 3 | 0 | 2.03 |
Stephen Viller | 4 | 544 | 70.79 |