| Effective and Inconspicuous Over-the-Air Adversarial Examples with Adaptive Filtering. | 0 | 0.34 | 2022 |
| Improving Source Separation by Explicitly Modeling Dependencies between Sources | 0 | 0.34 | 2022 |
| Source Separation By Steering Pretrained Music Models | 0 | 0.34 | 2022 |
| Vroom!: A Search Engine for Sounds by Vocal Imitation Queries | 1 | 0.37 | 2020 |
| Multi-Resolution Common Fate Transform. | 1 | 0.38 | 2019 |
| Siamese Style Convolutional Neural Networks for Sound Search by Vocal Imitation. | 1 | 0.37 | 2019 |
| Sound Event Detection Using Point-Labeled Data | 0 | 0.34 | 2019 |
| A Human-in-the-Loop System for Sound Event Detection and Annotation. | 4 | 0.44 | 2018 |
| An Overview of Lead and Accompaniment Separation in Music. | 10 | 0.87 | 2018 |
| HaptEQ: A Collaborative Tool For Visually Impaired Audio Producers. | 0 | 0.34 | 2017 |
| I-SED: An Interactive Sound Event Detector. | 6 | 0.51 | 2017 |
| An Approach to Audio-Only Editing for Visually Impaired Seniors. | 0 | 0.34 | 2016 |
| SocialFX: Studying a Crowdsourced Folksonomy of Audio Effects Terms. | 1 | 0.36 | 2016 |
| Simultaneous Separation and Segmentation in Layered Music. | 1 | 0.37 | 2016 |
| A simple user interface system for recovering patterns repeating in time and frequency in mixtures of sounds | 3 | 0.37 | 2015 |
| VocalSketch: Vocally Imitating Audio Concepts | 8 | 0.57 | 2015 |
| Crowdsourcing a Reverberation Descriptor Map | 2 | 0.45 | 2014 |
| Adapting Collaborative Filtering to Personalized Audio Production. | 0 | 0.34 | 2014 |
| SynthAssist: Querying an Audio Synthesizer by Vocal Imitation. | 0 | 0.34 | 2014 |
| Score-Informed Source Separation for Musical Audio Recordings: An overview | 28 | 0.90 | 2014 |
| Reverbalize: A Crowdsourced Reverberation Controller | 2 | 0.45 | 2014 |
| A novel cepstral representation for timbre modeling of sound sources in polyphonic mixtures | 4 | 0.43 | 2014 |
| Kernel Additive Models for Source Separation. | 35 | 1.26 | 2014 |
| Combining rhythm-based and pitch-based methods for background and melody separation | 7 | 0.46 | 2014 |
| Multi-pitch Streaming of Harmonic Sound Mixtures | 13 | 0.68 | 2014 |
| SynthAssist: an audio synthesizer programmed with vocal imitation. | 3 | 0.43 | 2014 |
| MIXPLORATION: rethinking the audio mixer interface | 4 | 0.48 | 2014 |
| Online REPET-SIM for real-time speech enhancement | 10 | 0.61 | 2013 |
| Crowdfunding support tools: predicting success & failure | 43 | 2.98 | 2013 |
| REpeating Pattern Extraction Technique (REPET): A Simple Method for Music/Voice Separation | 60 | 1.98 | 2013 |
| Novelty measures as cues for temporal salience in audio similarity | 2 | 0.37 | 2012 |
| Audio imputation using the non-negative hidden markov model | 8 | 0.53 | 2012 |
| Music/Voice Separation Using the Similarity Matrix. | 21 | 0.89 | 2012 |
| Towards Speeding Audio EQ Interface Building with Transfer Learning. | 2 | 0.41 | 2012 |
| Building a personalized audio equalizer interface with transfer learning and active learning | 7 | 0.66 | 2012 |
| A state space model for online polyphonic audio-score alignment | 22 | 0.95 | 2011 |
| Aligning Semi-Improvised Music Audio with Its Lead Sheet. | 2 | 0.37 | 2011 |
| Making Searchable Melodies: Human versus Machine. | 1 | 0.41 | 2011 |
| Reconstructing completely overlapped notes from musical mixtures | 3 | 0.45 | 2011 |
| A simple music/voice separation method based on the extraction of the repeating musical structure. | 17 | 1.21 | 2011 |
| A Computational Model of Auditory Perceptual Learning: Predicting Learning Interference Across Multiple Tasks. | 0 | 0.34 | 2011 |
| Soundprism: An Online System for Score-Informed Source Separation of Music Audio. | 38 | 1.37 | 2011 |
| Degenerate Unmixing Estimation Technique using the Constant Q Transform | 1 | 0.38 | 2011 |
| Song-Level Multi-Pitch Tracking By Heavily Constrained Clustering | 4 | 0.47 | 2010 |
| Multiple Fundamental Frequency Estimation by Modeling Spectral Peaks and Non-Peak Regions | 56 | 1.78 | 2010 |
| Spectrum: Retrieving Different Points of View from the Blogosphere | 1 | 0.34 | 2009 |
| Improving separation of harmonic sources with iterative estimation of spatial cues | 1 | 0.37 | 2009 |
| Harmonically Informed Multi-Pitch Tracking. | 5 | 0.53 | 2009 |
| STREAMING FROM MIDI USING CONSTRAINT SATISFACTION OPTIMIZATION AND SEQUENCE ALIGNMENT | 0 | 0.34 | 2009 |
| 2DEQ: an intuitive audio equalizer | 4 | 0.67 | 2009 |
