| Musical Instrument Sound Morphing Guided by Perceptually Motivated Features | 0 | 0.34 | 2013 |
| Mixed source model and its adapted vocal tract filter estimate for voice transformation and synthesis | 11 | 0.65 | 2013 |
| A source-filter model for musical instrument sound transformation. | 0 | 0.34 | 2012 |
| Intonation Conversion From Neutral To Expressive Speech | 26 | 0.98 | 2011 |
| Prosodic control of unit-selection speech synthesis: A probabilistic approach | 0 | 0.34 | 2011 |
| Stylization And Trajectory Modelling Of Short And Long Term Speech Prosody Variations | 5 | 0.47 | 2011 |
| Objective evaluation of the Dynamic Model Selection method for spectral voice conversion | 3 | 0.40 | 2011 |
| Reformulating Prosodic Break Model Into Segmental Hmms And Information Fusion | 3 | 0.47 | 2011 |
| Improved estimation of the amplitude envelope of time-domain signals using true envelope cepstral smoothing | 2 | 0.53 | 2011 |
| A Reduced Multiple Gabor Frame for Local Time Adaptation of the Spectrogram | 1 | 0.40 | 2011 |
| Function of Phase-Distortion for glottal model estimation | 5 | 0.46 | 2011 |
| Rényi information measures for spectral change detection. | 5 | 0.65 | 2011 |
| Sound morphing by feature interpolation | 2 | 0.42 | 2011 |
| Multiple Fundamental Frequency Estimation and Polyphony Inference of Polyphonic Music Signals | 33 | 1.31 | 2010 |
| Joint prosodic and segmental unit selection for expressive speech synthesis. | 1 | 0.38 | 2010 |
| Automatic Timbral Morphing Of Musical Instruments Sounds By High-Level Descriptors | 3 | 0.55 | 2010 |
| An entropy based method for local time-adaptation of the spectrogram | 0 | 0.34 | 2010 |
| Applying improved spectral modeling for High Quality voice conversion | 7 | 0.66 | 2009 |
| Evolutionary Spectral Envelope Morphing by Spectral Shape Descriptors. | 2 | 0.44 | 2009 |
| A Multi-Level Context-Dependent Prosodic Model Applied To Durational Modeling | 0 | 0.34 | 2009 |
| IRCAM Corpus Tools: Managing speech corpora. | 0 | 0.34 | 2008 |
| Proceedings of the International Conference on Language Resources and Evaluation, LREC 2008, 26 May - 1 June 2008, Marrakech, Morocco | 0 | 0.34 | 2008 |
| French prominence: A probabilistic framework | 5 | 0.78 | 2008 |
| IrcamCorpusTools: an Extensible Platform for Spoken Corpora Exploitation | 2 | 0.57 | 2008 |
| A Method For Automatic And Dynamic Estimation Of Discourse Genre Typology With Prosodic Features | 2 | 0.50 | 2008 |
| Adaptive threshold determination for spectral peak classification | 10 | 0.75 | 2008 |
| Automatic Phoneme Segmentation with Relaxed Textual Constraints | 5 | 0.56 | 2008 |
| MCIpa: A Music Content Information Player and Annotator for Discovering Music | 0 | 0.34 | 2008 |
| On cepstral and all-pole based spectral envelope modeling with unknown model order | 23 | 1.30 | 2007 |
| All-Pole Spectral Envelope Modelling With Order Selection For Harmonic Signals | 1 | 0.41 | 2007 |
| COMPUTER-AIDED ORCHESTRATION BASED ON PROBABILISTIC INSTRUMENTS MODELS AND GENETIC EXPLORATION | 1 | 0.48 | 2007 |
| An Evolutionary Approach to Computer-Aided Orchestration | 2 | 0.51 | 2007 |
| Improving Lpc Spectral Envelope Extraction Of Voiced Speech By True-Envelope Estimation | 17 | 1.17 | 2006 |
| The Significance of the Non-Harmonic "Noise" Versis the Harmonic Series for Musical Instrument Recognition | 3 | 0.47 | 2006 |
| Globally Optimal Short-Time Dynamic Time Warping Application To Score To Audio Alignment | 9 | 0.88 | 2006 |
| Sound navigation in PHASE installation: producing music as performing a game using haptic feedback | 1 | 0.37 | 2005 |
| THE PHASE PROJECT : HAPTIC AND VISUAL INTERACTION FOR MUSIC EXPLORATION | 0 | 0.34 | 2005 |
| REAL TIME SIGNAL TRANSPOSITION WITH ENVELOPE PRESERVATION IN THE PHASE VOCODER | 0 | 0.34 | 2005 |
| Multiple fundamental frequency estimation of polyphonic music signals | 22 | 1.76 | 2005 |
| Sound and music control using haptic and visual feedback in the PHASE installation | 2 | 0.51 | 2005 |
| Instrument identification in solo and ensemble music using Independent Subspace Analysis | 20 | 1.41 | 2004 |
| Panel: Standards from the Computer Music Community | 1 | 0.53 | 2004 |
| Improving score to audio alignment: Percussion alignment and Precise Onset Estimation. | 3 | 0.61 | 2004 |
| Instrument Recognition Beyond Separate Notes - Indexing Continuous Recordings. | 2 | 0.49 | 2004 |
| Sound Analysis and Processing with AudioSculpt 2 | 8 | 0.73 | 2004 |
| A new approach to spectral peak classification | 4 | 0.50 | 2004 |
| Signal decomposition by means of classification of spectral peaks | 5 | 1.13 | 2004 |
| Instantaneous Frequency And Amplitude Of Vibrato In Singing Voice | 6 | 0.70 | 2003 |
| The importance of cross database evaluation in musical instrument sound classification: A critical approach | 10 | 0.89 | 2003 |
| PCA-based branch and bound search algorithms for computing K nearest neighbors | 7 | 0.58 | 2003 |
