CHI 2011 sustainability community invited panel: challenges ahead | 3 | 0.45 | 2011 |
Pen-based computing | 5 | 0.65 | 2010 |
On expert performance in 3D curve-drawing tasks | 29 | 1.00 | 2009 |
Analytic drawing of 3D scaffolds | 56 | 1.53 | 2009 |
PenLight: combining a mobile projector and a digital pen for dynamic visual overlay | 34 | 1.59 | 2009 |
Safe 3D navigation | 30 | 1.00 | 2008 |
PieCursor: merging pointing and command selection for rapid in-place tool switching | 6 | 0.51 | 2008 |
ViewCube: a 3D orientation indicator and controller | 22 | 0.89 | 2008 |
ShowMotion: camera motion based 3D design review | 21 | 0.79 | 2006 |
HoverCam: interactive 3D navigation for proximal object inspection | 52 | 1.83 | 2005 |
Spotlight: directing users' attention on large displays | 48 | 2.65 | 2005 |
Cinematic meeting facilities using large displays | 6 | 0.51 | 2005 |
When it gets more difficult, use both hands: exploring bimanual curve manipulation | 38 | 2.02 | 2005 |
Guest Editors' Introduction: Applications of Large Displays | 8 | 0.58 | 2005 |
A remote control interface for large displays | 54 | 2.65 | 2004 |
Sentient Data. | 0 | 0.34 | 2003 |
Boom chameleon: simultaneous capture of 3D viewpoint, voice and gesture annotations on a spatially-aware display. | 0 | 0.34 | 2003 |
FaST Sliders: Integrating Marking Menus and the Adjustment | 1 | 0.47 | 2002 |
Creating principal 3D curves with digital tape drawing | 57 | 2.57 | 2002 |
Boom chameleon: simultaneous capture of 3D viewpoint, voice and gesture annotations on a spatially-aware display | 80 | 5.19 | 2002 |
StyleCam: interactive stylized 3D navigation using integrated spatial & temporal controls | 35 | 2.15 | 2002 |
User interfaces for volumetric displays | 20 | 2.41 | 2001 |
Interaction techniques for 3D modeling on large displays | 34 | 2.39 | 2001 |
Large Displays in Automotive Design | 53 | 8.65 | 2000 |
The Hotbox: efficient access to a large number of menu-items | 45 | 3.04 | 1999 |
Sampling, synthesis, and input devices | 6 | 2.34 | 1999 |
Exploring interactive curve and surface manipulation using a bend and twist sensitive input strip | 54 | 3.81 | 1999 |
An exploration into supporting artwork orientation in the user interface | 31 | 4.12 | 1999 |
Exploring bimanual camera control and object manipulation in 3D graphics interfaces | 72 | 5.14 | 1999 |
Digital tape drawing | 32 | 4.59 | 1999 |
A GUI paradigm using tablets, two-hands and transparency | 5 | 0.69 | 1997 |
The Rockin'Mouse: integral 3D manipulation on a plane | 78 | 6.10 | 1997 |
The design of a GUI paradigm based on tablets, two-hands, and transparency | 85 | 16.77 | 1997 |
Evolutionary engagement in an ongoing collaborative work process: a case study | 38 | 31.01 | 1996 |
An experimental evaluation of transparent user interface tools and information content | 50 | 6.65 | 1995 |
Implicit structure for pen-based systems within a freeform interaction paradigm | 44 | 11.95 | 1995 |
A confederation of tools for capturing and accessing collaborative activity | 68 | 44.84 | 1995 |
Some design refinements and principles on the appearance and behavior of marking menus | 15 | 1.94 | 1995 |
Contextual Animation Of Gestural Commands | 25 | 2.39 | 1994 |
User learning and performance with marking menus | 168 | 24.30 | 1994 |
An empirical evaluation of some articulatory and cognitive aspects of marking menus | 77 | 13.63 | 1993 |
The limits of expert performance using hierarchic marking menus | 160 | 36.73 | 1993 |
A marking based interface for collaborative writing | 22 | 3.97 | 1993 |
The prevention of mode errors through sensory feedback | 61 | 26.18 | 1992 |
HyperMark: issuing commands by drawing marks in HyperCard | 4 | 4.38 | 1992 |
Issues in combining marking and direct manipulation techniques | 98 | 17.38 | 1991 |
GEdit: a test bed for editing by contiguous gestures | 17 | 14.98 | 1991 |
MAKING MARKS SELF-REVEALING | 1 | 0.35 | 1991 |
The role of visual and kinesthetic feedback in the prevention of mode errors | 16 | 43.27 | 1990 |